Mac vs pc commercial song

PC ads, with PC striking back. The Mac takes it on the chin again when he shows up late for a client meeting because he was making a Web site for his cat. Chris Elliott is back, this time getting his revenge on the PC, by turning him into the download police for disparaging iTunes and bragging about downloading music from P2P sites. In this spoof, Mac plans to work on his Web site over the weekend with another Apple fanboy, while PC's plans don't include tech work. In another hit on Mac's ability to do real work, this Mac doesn't really know what it means to have a job but has heard of "Jobs.

PC shoots back at Mac noting, "I am the one guiding NASA rockets and assisting the military … and when people buy you they throw out your mouse and use one of mine. Technically, this one isn't focused on technology, but here's a funny video with DC Comics taking on Marvel as Spider-Man and Batman banter about their lots in life.

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Mobile Tech. Let's just hope Apple's next Mac-verts are as ripe with humor as this series was. We've already rounded up the best of the Apple-produced ads and brought you a tribute. Here's a look at the best parodies and spoofs. Novell created three spoofs for its BrainShare conference back in and introduced a third character: The smart, attractive and — gasp! Created as the final project for a multimedia production class at California State University Northridge using South Park-ified versions of the ad characters, this amusing spoof has racked up a whopping 15 million YouTube views.

Hit play to see why. This video from the TrueNuff comedy group is part of a series of sketches on the "Get a Mac" theme, taking a look at the darker side of computer ownership — in this instance, a Mac's lack of "upgradability. Another twist on the original here with some funny animation Mac: "I'm the cool one, PC's the dumb one" in which we learn Macs are better because they're shinier.

Choice quotes include PC's great line: "Stop looking at me with your stupid face.

The 10 Funniest Mac Apple-Ad Parodies

Justin Long: I had a reticence about doing it because I didn't want to be a pitch man. I had had a run of good luck with movies, and those jobs were continuing to come. Now it's different, but at the time there was a real divide between commercial actors and film actors. It wasn't an easy decision. Click here to see the creative team's favorite 'Get a Mac' spots. Scott Trattner: I was more worried about who was going to play the PC, because we didn't want to set up a paradigm that made people who had bought that platform for years feel dumb.

It was very important that that character was very bright, empowered, charming, lovable. Phil Morrison: Hodgman came into my awareness because there was a review of his book in the New York Times , and then I think soon after that I watched him interviewed on "The Daily Show. John Hodgman "PC" : In November of , I had gone on "The Daily Show" to promote my first book of humor called, "The Areas of My Expertise," and that appearance went well enough that they invited me to be on the show as a contributor.

Already, I was dealing with a very profound life change that was entirely unexpected, and frankly implausible. If you know what I look like now, and certainly if you knew what I looked like then, the idea that I would be on-camera talent was an impossible thing to consider. I think as we were doing the casting, we found that that it wouldn't be so bad if they did. John Hodgman: I got a call from my literary agent about auditioning for a new Apple campaign.

I'm an Apple user and had been almost my entire life. I convinced my father to buy a Macintosh after I saw that first "" ad—in I was like, "Yeah, absolutely I'll come in.

Mac vs. PC Song (DOWNLOAD LINK)

But Phil really championed bringing him in. John Hodgman: Obviously I read for the PC, which I found to be a little bit surprising, because at that point I was about to turn 35—I still considered myself to be a year-old thin, cool person. It's a perfect example of how we have a delusional image of ourselves.

Blogs were huge 10 years ago, and I think PC was bragging how he was the original blogster and the original hip-hopper, and he was just being really obnoxious and funny. It never aired but it was a script that helped define his character as just oblivious to reality. John Hodgman: At one point there was a requirement that I human beatbox, and so I deployed my rudimentary but very impassioned human beatbox skills that I had developed in the s in the mean streets of Brookline, Mass.

Barton Corley: Hodgman's audition tape was probably a highlight of the entire thing. It was pretty incredible. I may have gotten this job. Bear in mind that I was then in my mid 30s and my wife and I had a 3-year-old daughter and a 1-year-old son. A good 40 percent of my life was being a stay-at-home parent. The idea that this ridiculous farce of me maybe getting this job would continue, it seemed like a real hassle in that moment. Barton Corley: He's just the most lovable, intelligent guy, and also perfect to play the role of a PC.

There he was in the character of the conservative suit-wearing guy, and then suddenly he beatboxed and geeked out. It brought down the room. John Hodgman: Not long after that, I got a call saying, "They want to know if you will fly to LA the day after tomorrow to read with the person that they've cast as the Mac. Can you come out the day after tomorrow? I guess I have to. April 8, The finished team gathered in Los Angeles to shoot the first round of ads over the course of three days. Mike Refuerzo: There was a lot of learning on that shoot. We were writing scripts all the way up until we shot.

Scott Trattner: It was very important to me that they would address the camera as the audience. That you weren't just observing a scene. You were invited into a conversation. The purity of that structure was really important. Jason Sperling: It was instant chemistry between the actors. They really hit it off, really well. Well, my parents like you on 'The Daily Show. But we hit it off immediately. Justin Long: We're very different people, but we got along very easily right off the bat. We ended up spending so much time together, just us on that white expanse for so long, that had I not liked him as much as I did, it could have been a different job.

Danielle Kays wardrobe stylist : On a scale of 1 to 10, the attention to detail on an average job is about an 8. For Apple it was , just off-the-charts, unprecedented attention to detail. Should the sleeves be rolled up twice or three times? Should the jeans come in at the bottom just a half-an-inch? Are those shoelaces off-putting? I just needed to look terrible. Even without clothes on, I was already 90 percent there.

Mike Refuerzo: Everything that Justin would wear was designer. He would have very tailored designer denim. Even though they were T-shirts, they were fitted, well-designed, the best fabric, the best T-shirts you can buy. If it was a hoodie it was like the best cotton hoodie that you can get, and by a designer that would make it fit on his body well. John Hodgman: I just needed to look terrible. Mike Refuerzo: John obviously represents the basic PC but could also represent business. He represents the lack of design with his ill-fitting business suits, no color, no life.


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John Hodgman: They started showing me glasses, and I said, "Well, I just got these new glasses, what do you think about these? I had just happened to get them from Lens Crafters the weekend before. On a scale of 1 to 10, the attention to detail on an average job is about an 8.

For Apple it was Eric Grunbaum: Early on, we shot maybe up to eight in a day. We were really cranking them out so Steve and the team would have a lot of spots to choose from. Danielle Kays: One of the things that was different then any other commercial is we could be on-set and they're writing commercials to shoot that day. All of a sudden, the producer would come up to me and say, "Could we dress a therapist by this afternoon?

That's never how it's done. Jason Sperling: There would be times where we would shoot, and within the first couple of reads you just go, "The script isn't working," and you just pull it. Eric Grunbaum: It was so stripped down, so naked, that we saw when we were making it if it was good or it sucked. Mike Refuerzo: When something didn't feel right, we stopped, we sat around the table and we rewrote the script until we got it right. John Hodgman: It was pretty tightly scripted, but I will say that Phil Morrison and the Media Arts Lab gang gave us the freedom to mess around, and in the mess around we would find different energies and looks and responses and gestures that we could then condense into the final second vision.

Justin Long: The first few rounds, it was a lot more kind of back and forth, it was a lot more of a little scene, just two guys talking, two friends.

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Danielle Kays: The crew and I would just have to be burying our faces to keep our laughter down during a take, just cracking up at John. He was so funny. John Hodgman: What I clued into immediately was, I am 10 years older than Mac is, and my guy thinks he has shown up to teach him how to be a computer. Obviously I read for the PC, which I found to be a little bit surprising, because at that point I was about to turn 35—I still considered myself to be a year-old thin, cool person.

Top 5 'I'm a Mac' Parody Commercials

Justin Long: Inherently, the conceit was that I'm looking down on him. I'm better than he is. And I hated it. It also ran counter to my natural feelings about John himself. Mike Refuerzo: We found out was it was better for us to be more encouraging to PC than tear him down.

They were actually friends. Scott Trattner: I knew in the first week we were shooting that they were really special. Their chemistry, the purity of the story, that what we created was really special. Jason Sperling : We shot 12 spots the first round. After Steve saw our first-round rough cuts, he understood and appreciated them. And we got sign off.

Eric Grunbaum: When we presented the edits at Marcom, Steve killed a majority of them. Only four survived. We found this emotionally disheartening at first, but soon learned that Steve didn't care about the "failures" or focus on them. He focused on the ones that were great. We learned that trying a bunch of ideas, falling short on many, and succeeding on a few, would be the way we would get to the three or four winners with each round of this campaign. In Part 2 , "Get a Mac" debuts to glowing reviews; the campaign moves to the United Kingdom and Japan; an actor struggles with his role; and a who's who of celebrity guests never make it to air.

Click here to keep reading. Mike Refuerzo: Man, we used to talk to Owen for so many ideas.